Mockingjay (The Final Book of The Hunger Games) [Kindle Edition]

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Against all odds, Katniss Everdeen has survived the Hunger Games twice. But now that she's made it with the bloody arena alive, she's still not safe. The Capitol is angry. The Capitol wants revenge. Who do they think should pay for your unrest? Katniss. And what's worse, President Snow has made it clear that no one else is safe either. Not Katniss's family, not her friends, not the people of District 12. Powerful and haunting, this thrilling final installment of Suzanne Collins's groundbreaking The Hunger Games trilogy promises to be one from the most discussed books with the year.
A Q&A with Suzanne Collins, Author of Mockingjay (The Final Book of The Hunger Games)
Q: You have said in the start that The Hunger Games story was intended as being a trilogy. Did it really end the strategies by which you planned it through the beginning?

A: Very much so. While I did not know every detail, of course, the arc from the story from gladiator game, to revolution, to war, towards the eventual outcome remained constant through the writing process.

Q: We understand you worked on the initial screenplay for the film to become based on The Hunger Games. What could be the biggest distinction between writing a novel and writing a screenplay?

A: There was several significant differences. Time, for starters. If you are adapting a novel in a two-hour movie you can't take everything with you. The story has to be condensed to fit the brand new form. Then you have the question of how best to consider a magazine told within the first person and offer tense and transform it into a satisfying dramatic experience. In the novel, you don't ever leave Katniss to get a second and so are privy to all or any of her thoughts so you'll need a approach to dramatize her inner world and to produce it feasible for other characters to exist outside her company. Finally, there's the challenge of the best way to present the violence while still maintaining a PG-13 rating to ensure your core audience can view it. A great deal of things are acceptable on a page that may not be on the screen. But wait, how certain moments are depicted may ultimately be in the director's hands.

Q: Do you believe you're in a situation to consider future projects while working on The Hunger Games, or are you immersed in the world you happen to be currently creating so fully that it is simply too difficult to take into consideration new ideas?

A: I've a couple of seeds of ideas going swimming inside my head but--given much of my focus continues to be on The Hunger Games--it is going to be awhile before one fully emerges and i also can begin to develop it.

Q: The Hunger Games is an annual televised event through which one boy and something girl from each from the twelve districts is expected to participate in a very fight-to-the-death on live TV. What can you think that the benefit of reality television is--to both kids and adults?

A: Well, they're often setup as games and, like sporting events, there's an interest in seeing who wins. The contestants are generally unknown, which means they are relatable. Sometimes they've got very talented people performing. Then you have the voyeuristic thrill—watching people being humiliated, or brought to tears, or suffering physically--which I've found very disturbing. There's also the possibility for desensitizing the audience, so that once they see real tragedy playing out on, say, the news, it won't possess the impact it should.

Q: If you were made to compete inside the Hunger Games, exactly what do you believe your personal skill would be?

A: Hiding. I'd be scaling those trees like Katniss and Rue. Since I became trained in sword-fighting, I guess my best hope would be to obtain hold of the rapier if there was clearly one available. But the facts is I'd probably get of a four in Training.

Q: What do you hope readers should come away with after they read The Hunger Games trilogy?

A: Questions about how precisely elements from the books may be relevant of their own lives. And, if they're disturbing, what you might do about them.

Q: What were some of your favorite novels when you are a teen?

A: A Tree Grows in Brooklyn by Betty Smith
The Heart Is a Lonely Hunter by Carson McCullers
Nineteen Eighty Four by George Orwell
Anna Karenina by Leo Tolstoy
Slaughterhouse-Five by Kurt Vonnegut
A Wrinkle in Time by Madeleine L’Engle
Lord with the Flies by William Golding
Boris by Jaapter Haar
Germinal by Emile Zola
Dandelion Wine by Ray Bradbury
(Photo © Cap Pryor)


Gr 7 Up–The final installment of Suzanne Collins's trilogy sets Katniss a single more Hunger Game, but now it is for world control. While it is often a clever twist about the original plot, it means that there is certainly less focus about the individual characters and more on political intrigue and large scale destruction. That said, Carolyn McCormick will continue to breathe life in to a less vibrant Katniss by displaying despair both at those she feels accountable for killing and and also at her very own motives and choices. This is an older, wiser, sadder, and very reluctant heroine, torn between revenge and compassion. McCormick captures these conflicts by changing the pitch and pacing of Katniss's voice. Katniss is both a pawn in the rebels and also the victim of President Snow, who uses Peeta to attempt to control Katniss. Peeta's struggles are well evidenced in his voice, which goes from rage to puzzlement to an unsure come back to sweetness. McCormick also makes the secondary characters—some malevolent, others benevolent, and a great deal of confused—very real with distinct voices and agendas/concerns. She acts like an outside chronicler in giving listeners just “the facts” but also respects the individuality and different challenges of each and every with the main characters. A successful completion of your monumental series.–Edith Ching, University of Maryland, College Parkα(c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.